Miss, -- are you all right?
Here, let me help you up.
Don't worry; it must have been the heat.
You've cracked your lip; it's bleeding a little.
Excuse me, miss.
You forgot this.
Hey, you're still bleeding.
Take this.
Maybe, you should sit down a minute.
Do you want me to take you to a hospital?
No.
My name is Alfredo,
what's yours?
My name --
I found it lying open on the floor.
Sorry, I have to go --
Wait!
Let me go with you.
Do you want a taxi?
Do you need some money?
Do you know your name?
Can you remember it?
It was the paintings, wasn't it?
Works of art -- have power over us.
Great works of art have great power.
Most of them --
they'll never understand, but --
I do, and I think -- you do too.
I'm sorry, I have to go.
Hey!
Just a second --
For the taxi.
Don't worry, just take it.
Miss -- Miss!
Miss Manni!
Miss Manni,
didn't you hear me?
Chief Inspector Manetti called.
He called a number of times.
It seemed urgent.
Who?
Manetti -- Chief Inspector Manetti.
Who am I?
Manni.
'One to relax, two to sleep.'
Doctor -- Rome.
Anna Manni.
Hello?
Information?
Yes, I'm looking for a number in Rome.
Anna Manni.
Yes.
Hi, this is Anna.
Leave me a message, and I'll call you back
as soon as I can.
Stand back -- back.
Set up those lights over there --
Haven't seen anything like it.
Where are we?
Rome --
But, you can't pass here.
It's all right.
I'm a police officer.
She's okay, I know her.
Where have you been?
We found her an hour ago.
Manetti is checking it out.
He wants to talk you.
- Over there, huh. - Manni, over here.
She's been dead for about 12 hours.
Looks like, the same guy --
raped fifteen women,
killed the last two.
I want you to go to Florence.
We're sure,
he has raped three women there,
but, he hasn't killed yet.
Why?
Three in Florence, and the rest in Rome.
You've followed all the cases here,
and you know the way he operates;
it's up to you.
You leave tomorrow.
Talk to our people in Florence.
Tell them what you know,
and find out what they know.
Diplomatically, huh?
You're bright.
I can trust you.
Now that he has started killing,
he won't stop.
The pig.
This guy's a real whacko.
Did you see the other two, he killed?
Anna,
I'm out of here, too.
How about going to your place for --
a pizza, a video?
Marco!
Your gun --
Assistant Inspector Manni.
Did you come to Florence, just to look for me?
Well, you found me.
Here I am.
No!
I want you the way you were this morning ---
With your lips bleeding.
I wanted so badly to kiss your mouth,
your bleeding lips.
No, don't.
Stay awake.
I watched while you
were looking at the paintings;
you got that feeling, didn't you?
You got that feeling.
No -- no --
stay awake.
I want you to come with me.
Stop!
No!
Hey, what happened to you?
Calm down!
Calm down.
I'm a police officer from Rome.
Anna Manni.
Where are the paramedics?
Hurry!
The lab team is working on the room.
How's Anna?
This place is a mess.
Sir, I found this, out in the hall.
Okay, we're finished.
We'll have the results for you
in a couple of days.
Do you feel up to talking?
Yes.
Was there anything unusual
about his features?
No.
Could you identify him if you saw him again?
Yes.
Do you remember having seen him before?
Yes, at the police station.
He's identical to the composite they made
of the murderer.
We're doing all the clinical tests --
except for the HIV.
It's still too early for that.
You should have one in a month,
then in three, and after six months.
I know it's rough,
but, there's nothing to be done.
No.
I'm sorry about all of this.
But, the law requires it.
It's a light sedative, to help you relax.
If you don't want it just say so.
You need to rest, and get your strength back.
Don't worry about your loss of memory;
this kind of amnesia is almost,
always temporary.
Lie down for a few minutes,
and try to sleep.
Anna, I'll be right outside if you need me.
Get some rest.
Okay?
Miss -- Are you alright?
Oh, you've broken your glass.
Yes.
Would you like something for that cut?
We have an antiseptic in the first-aid box.
No.
Oh, sorry.
Maybe, she was right.
You should put something on that cut.
It's bleeding a lot.
Does it hurt?
No.
Sure?
Sure, it just stings a little.
Anna!
Hi!
Let me take your bag.
No, no.
Come on, I'll carry it.
Okay.
So -- how're you doing?
Inspector Manetti is on his way.
Good luck.
Anna, the commission has arrived.
They're in there waiting for you.
They're familiar with your case;
so, don't worry.
They just want to talk to you.
Why did you cut your hair so short?
I don't know.
I feel better like this.
Why, is it a problem?
Absolutely not.
Here --
a new badge, and a new gun
to replace the ones that bastard stole.
There was no negligence on your part.
The commission just confirmed
what I knew already.
You know how fond I am of you,
how much I value your work.
I feel terrible about what happened.
Maybe, it was partly my fault.
Nine millimeter.
The rounds are steel-capped,
about the best defensive weapon,
you can have.
Uh, they want you to stick around
at headquarters for a while.
There's a lot of work for someone, like you.
And, they want you
to start seeing our psychologist,
twice a week.
We'll get him, Anna.
Wherever he is, we'll find him.
Do you remember, what you said
about when they start to kill,
they never stop?
Uh huh.
But, he didn't kill me.
I think, he wants me alive.
We don't have to look for him;
he'll come to me.
Look, starting from today,
you'll have an around-the-clock
police escort.
Two of our best men.
Hi, this is Anna.
Leave me a message, and I'll call you back
as soon as I can.
Thank you.
I was sent to Florence because
I do most of my work
with the anti-rape team.
It all started with a series of cases,
in Rome, and nearby towns.
Then in a month,
there were three cases in Florence.
And so, my boss sent me up there
to exchange information
with the local police,
to find out what they knew.
I was in my hotel room one morning,
when I got a phone call.
It was a woman.
She said -- she said,
she knew, I was working on the case.
And, she thought she knew,
who the man was.
She told me her name, but I can't remember it.
She said he was in town,
and would visit the Uffizi Gallery.
How did she know that?
I don't know.
She just said that he'd be there that morning.
Did you call headquarters in Florence?
No.
I went to the museum.
I had a vague idea of what he looked like
because I saw the composites
at the police station.
It was a long shot --
but I went anyway.
Pretty stupid, huh?
Yes, I've always been too sure of myself.
You know, what I thought?
I thought that if I saw him,
I'd arrest him, or shoot him,
if necessary.
What happened at the museum?
There was a long line,
Iots of confusion.
Inside -- it was really weird,
a strange atmosphere.
The paintings,
they -- they seemed to be floating.
I followed a group of tourists into a room.
Then, I entered a painting.
It was as if I --
if I was suddenly immersed in it.
I mean, I was looking at it when--
I know, it sounds crazy.
Let's try never to use words,
Iike crazy.
The symptoms include a cold sweat, nausea,
anxiety, hallucinations,
severe depression, and personality changes.
Yes.
In 1817, a French writer, Stendhal
was in Florence.
He was admiring the works of art
in the church of Santa Croce,
when he was overcome by powerful emotions.
It had certainly happened
to others before him,
but, he was the first to write
about the phenomenon in his diary.
That's why, what happened to you
in the Uffizi
is known as the Stendhal Syndrome.
'My feeling is so profound
that it borders on pity.
All this speaks clearly to my soul.
Oh, if only I could forget it.
There was a certain degree of happiness
in this powerful feeling of Stendhal's.
Yet, in spite of that,
the only thing he wanted to do was forget it.
Hi, Anna, how's it going?
Hi, how you doing?
Hi.
Can I come in?
Sure.
Everything okay?
Stupid question.
I brought you something.
Videos -- Buster Keaton films --
for a laugh.
Frozen pizzas --
and, a bunch of flowers --
for you.
Marco, I don't want these things.
Don't worry.
I'll leave it for you, anyway.
You eating these?
Yes.
But, you never used to eat chocolates.
Well, now I find, I like to.
I miss you, Anna.
No, I can't make love, Marco.
I can't even think about it.
You see -- I'm not your woman anymore.
No.
I'm sorry.
But it's been so long since we --
since we made love.
Right.
So, you want to have sex?
So, you want to fuck, huh?
- Come on, Anna-- - You want to screw me, huh?
Don't, Anna.
Stop.
Turn around.
No, what're you doing?
You want to fuck me, huh?
Now, I'm fucking you.
Anna, stop it! Please.
You like it -- huh?
Like to be fucked, huh?
Anna, come on --
Shut up!
I don't want to hear your voice.
Just shut up!
Anna!
I'm fucking you -- Sure you like it --
We haven't finished yet --
Anna!
Anna, I'm not --
Shit!
I wanted to fuck him like a man --
the way that men do it.
The idea of being fucked disgusts me,
of having sex make me puke.
I'm scared.
Of what?
Something, that's inside of me,
that makes me hurt myself.
I keep cutting myself, hurting myself,
mainly the hands.
But, I don't do it on purpose --
Maybe, I do.
The physical pain doesn't bother me.
It makes me feel alive.
Now, let's put things in order.
Two very serious things happened to you.
A rapist killer stalked you,
jumped you and all the rest,
and there's a good chance
that he'll come looking for you again.
That's one thing.
Second, you got a shock
Iooking at those paintings.
A shock followed by hallucinations;
the Stendhal Syndrome.
That's important too.
But, it's an illness that will soon be over,
and the memory of what you felt
will fade away
until it practically disappears.
For the moment,
you have to try to love yourself more,
to stop despising yourself
because you were raped.
Don't hate yourself because he desires you.
You aren't responsible for all that.
Where does your family live?
Viterbo.
Why don't you get away for a while,
Ieave Rome.
I'll tell your boss.
Go to Viterbo.
It's close enough for us
to continue our meetings.
I don't like going back there.
I joined the police force to get away,
from everything that place meant to me.
My brothers, school friends,
my house, my father.
Anna, you're back!
Hi.
Giulio!
Always hang out in this square, huh?
Giulio, come here.
Hey, look who is back.
What did they do?
Kick you off the force?
No, I'm on leave.
Hey, why don't you pass by old Mario's gym?
Watch out!
I've been training.
Oh, yeah?
Ciao.
Anna.
Hi, dad.
You're in time for dinner.
Your brothers are here, already.
New haircut --
You've changed the way you dress too --
You look different.
Yeah, you look like a boy.
What did you have to say
she looked like a man for?
Because she does dad.
- You saw - So?
She's hardly back in the house,
and you have to upset her.
Did the police send you to a doctor?
Psychologist.
Is that necessary?
Yes.
I think so.
I have problems you know.
Is it closed, the museum?
It's been under restoration Anna
for the past two years.
Anna, Anna.
No, my father never set foot in the museum.
I used to go there with my mother.
She tried to teach me Art History.
She was a painter.
Why do you think this incident
came to mind only today?
I don't know.
I was driving past the museum,
which is closed for restoration work --
and I remembered it.
Doctor, I think I might try painting,
something myself.
Is that alright?
Absolutely, I think it is an excellent idea.
Anna, what are you?
Calm down before somebody gets hurt.
Yeah, we're training --
All right you two, don't just stand there.
Let's mix it up a little.
Okay, if you want to get serious.
Hey --
So I left him -- I just had to.
Not that he was bad in bed.
I mean in bed he made up for it,
but some things are just too much.
You know, what I mean?
He kept pushing and pushing,
and finally, something snapped.
No, I don't expect guys
to be completely honest with me.
Do I look like somebody
who believes in fairytales?
But still, a girl appreciates a gentleman
now and then.
Sure, I'd like to kiss you too.
He never liked kissing.
I am the opposite.
I am the oral type.
Wait -- there is a place back here.
Where, where you know,
the local whores go.
Come -- come, come.
A hooker from Senegal called us,
one of the bunch that does tricks in this area.
She brings here clients, back here at night.
Found her lying down there.
Hold on a second.
It's him again, same technique.
What did you see?
I come here alone, see.
I called my friend.
I don't know, who she is.
And you?
I've never seen her.
It was definitely,
what is his name, Alfredo.
There is nothing to be afraid of.
We have got you protected night and day.
You see that guy down there.
His name is Parisi.
He was in the marines, a captain;
they're pretty tough.
Now here's that list, you wanted.
I don't get it Anna.
What are you doing?
Why do you want to contact
all the women, he raped?
I mean --
I don't know.
I just want to talk to them.
Who knows -- maybe I'll learn something.
Well, you didn't need to drive all this way
to give me these phone numbers.
You could have faxed them.
No, no, no.
I wanted to --
I wanted to see you.
Anna, tell Marco to come in.
No, he has to go.
What did you say you wanted?
To see you.
So, what do you see?
Who is it, hello?
Hello, what is your name?
Vincenzo.
And I bet, your last name is Gorlai, right?
Yes.
Is your mommy home?
Mommy!
Hello.
Yes, my name is Anna Manni.
Do I know you?
No, no, I am a police officer.
I work with the ARD,
the Anti-Rape Department.
I see.
What can I do for you?
I would like to ask you about your experience.
Nothing very --
I'm really sorry,
but I can't answer any questions.
Yes I know, how hard it is --
It isn't a question of hard or easy.
I don't want to answer any more questions;
that's all.
I am here with my children.
I was lucky I wasn't murdered.
I am here now,
and I don't want to go back there.
So, you really want to know
what happened to me?
Yes, if you want to tell me.
Sure, I do.
I remember trusting him.
I was lying in a field.
I remember, his hands around my neck
squeezing tighter and tighter,
and the feeling of being torn
between the legs, inside.
I remember, that every time
he stopped squeezing my neck,
he hit me in the face.
I remember, his stinking breath.
Then I also remember thinking,
this son of a bitch.
This son of a bitch isn't very different
from my ex-husband, that pig.
You know, this city is full of monsters.
People moving away
from large built up areas,
attracted by safer,
more acceptable living conditions
in the provinces
are having to pay an unexpected price.
Rents are rising in small to medium --
Yes, You continue to talk
about my wife's murder,
but you don't accept all the rest.
-- before she was killed.
I'm sorry to have disturbed you
Mr. Manini.
I shouldn't have.
And all this happened to my wife!
-- I called.
And I'll never know what she had to endure.
What torture?
Can you tell me?
Can you tell me what she was thinking?
What she was feeling?
Can YOU tell me Miss Manni?
Left -- combination -- left
Iooking good, keep it up.
Keep it moving --
I'm sorry Anna.
I didn't mean to -- sorry.
Why?
The blood makes you sick, huh?
Look --
Hey Anna --
Look!
I am eating with Alessandro.
Join us, Dad.
Hello.
Hello, Anna.
I've missed you.
I have thought a lot about you.
My feeling is so profound
that it borders on pity.
All this speaks clearly to my soul.
Ah, if only I could forget it.
Yes, if only I could forget.
Stendhal couldn't.
And you, can you forget?
Can you forget me?
I've missed you so much.
Never three with the same match.
It's unlucky.
Do you hear that noise?
It's running water.
It is absolutely pure.
Do you remember when you were pure?
You know junkies used to use this place,
but something must have scared them away.
They left to shoot up somewhere else.
No!
Let's play a game.
We are out in the country,
2 miles east of the highway.
There is no trace of Anna.
No, no, no, the helicopter has to go
back to base
and continue the search tomorrow morning.
Of course, I am going to carry on.
How many other teams can you get
to patrol the rest of this area?
Ring, ring, ring --
Remember, I like to make phone calls too.
Oh yes, I really do.
Like when I called you in Florence,
except then I had this voice --
"You don't know me,
but there is something, I must tell you.
The man you are looking for
will be visiting
the Uffizi Gallery this morning."
Yeah, I like making phone calls.
And you fell for it.
I'd already spotted you in Rome.
I knew what you wanted.
You wanted me.
You like me, don't you?
I know you are always on my side,
and I love you too.
I see you changed guns --
moved up to a 9 millimeter.
You don't use this baby to stop your man.
You use it
when you want to blow him to bits.
I have to meet somebody in town.
I've something
she desperately -- desires.
What fresh, invigorating air.
Help!
Help! --
Help!
You'll have to do a lot better than that.
Wait a minute.
Shoot me.
Are you going to shoot me?
You can't shoot me.
You're a fucking cop.
You have to arrest me.
Arrest me.
It's my right.
You have the right to shut up.
Well, is that better?
Move.
Can't you move?
What about a walk in nice fresh air.
How do you like the fresh, invigorating air?
Can you hear the water?
It's so clean.
Do you remember when you were clean?
What are you looking at?
You want to have sex?
No really, tell me,
what do you want?
Don't be shy.
What?
Oh, I see,
you want to take a bath,
because you feel dirty.
Yes, you want to take a long bath.
Will I have this scar forever?
No, you'll see.
With a little plastic surgery,
in no time you'll be as good as new.
No sign of the scar.
Here, look at this map.
You see, the river runs down the valley
for a mile and a half, and then ends up
in the water company's outfall drain.
Why is locating the body such a problem?
Because the drain is divided into
dozens of filtering channels.
You know, how it is inspector.
There was a scramble for contracts
around here when it was built,
and a lot of people tried to get in on the act.
So, nobody knows
where this damn river ends up.
I am an engineer
in the maintenance department inspector.
I didn't have anything to do
with the speculation that went on.
I want that body found.
A broken neck,
a 9-millimeter bullet in his chest,
and enough blood around to fill a bathtub --
I still want that body.
He is gone forever, Anna.
Dead -- you killed him.
He will never go away.
He will always come back, always.
Hello.
Just a moment please,
I have Chief Inspector Manetti for you.
Thank you.
Anna, I'm going to pay a visit
to that bastard's wife.
You were right.
His name was Alfredo, Alfredo Grossi.
I thought, you'd want to come along,
since it's your case.
Yes, I do.
Okay.
We'll pick you up in 15 minutes.
We know, this is hard for you Mrs. Grossi.
Now, we'd like to ask you
about your husband's movements.
Dates, the days he wasn't home.
That's her.
That's her, isn't it!
Excuse me.
I saw her picture in the papers,
and on TV.
Mrs. Grossi, this is Inspector Manni,
one of our best officers.
She's been working on the case,
and has every right to be here.
I'm not answering any questions
in front of her.
Would you like to reconsider that?
Sorry, it's out of the question.
Now, from the beginning.
Bear with me, Mrs. Grossi.
I would like to know exactly
where and when you last saw,
your husband.
I feel myself changing.
My friend Betty says I'm crazy.
Why do you continue to use the word crazy?
You know, what I thought yesterday?
I thought, my real name was Louise.
Louise -- Do you like Louise?
You're amazing.
You never say anything.
I read a really interesting story
on the way here.
There's this judge, sitting on a riverbank.
A traveler asks him,
"May I use this boat? "
and he says, "Sure. It's fine."
So, the traveler pushes the boat
into the water,
but it sinks, and he drowns.
A man who was watching,
shouts at the judge,
"But why didn't you warn him
that the boat had a hole in it?"
And the great judge replies,
"The question of the boat's
condition was not raised."
I know you're suffering,
but the things that happened take time.
I don't have time.
He might appear at any moment.
He's dead Anna.
Yeah?
Who says so? You?
Did they find the body?
No.
I can sense,
he is still thinking about me.
That he wants me.
That he still exists.
Anyway, thanks to you
I have recovered from one thing:
the Stendhal Syndrome.
Paintings don't obsess me anymore.
On the contrary --
Don't look at it,
he left his mark on me.
They say that after two years
and four operations,
the scar will disappear.
Do you think it will?
Sorry.
Are you interested a lot in Art?
Yes.
You too?
Oh, very much, yes.
I studied Fine Arts two years here.
Really!
One second, I'll get it for you.
No.
No?
Well, okay thanks.
My -- My name is Marie,
-Hi -Hi
Marie? Yes,
Marie, I'm French.
But -- I thought that Marie
was a woman's name.
Well, in French it isn't so exact.
It can be a man or woman.
Oh.
Do you have a -- voiture?
Oh, you mean a car?
Yes.
No, I don't.
Then, if you like, I can give you a ride
on my French scooter.
Okay. Okay?
My name is Anna.
C'est avec un grand plaisir
que je fait votre connaissance.
It is a -- plaisir --
to meet you too, Marie.
No, Ma-rie.
Ma-rie.
Voila -- Marie.
I Iove Art too.
What made you come to Italy to study Art?
Oh, le renaissance, rinascimento,
Ie baroque, Rafaello, Michelangelo,
Masaccio, Simone Martini,
Titiano, Giorgione,
Botticelli, Rosso Fiorentino, Caravaggio,
Leonardo da Vinci, Manregns, Tintoretto,
Cosme' Tura, Paolo Uccello
Il Pontormo Beato Angelico
Viligelmo, Gia como Della Porta
Piero della Francesca!
He thinks, I am a Law student.
And why didn't you tell him
that you were a policewoman?
I don't know.
What do you like about him?
Well, first of all that he isn't a cop.
Have you thought about how you met him?
Yes, I was looking at some paintings.
Like Alfredo.
But, it's not the same thing;
you know, it isn't.
I thought, I'd turned into an arid,
mediocre person.
And then, I met a very sweet French boy
who made me smile.
I thought, you'd be pleased to know --
something.
That I laughed too.
Here, try this.
My mother send it from France.
What is it?
Why do you ask?
Don't you trust me?
It is foie gras.
What?
Goose liver.
It's really good.
It's really --
tasty.
I've always hated liver.
Tout va bien.
Wait.
Don't move.
Let me do it.
No, let me do it.
Anything new?
No, nothing.
Anna?
She's home.
Okay, you guys can go.
I'll be here until 3 or 4, okay?
Okay.
Hello!
Hello, hello, who's there?
Marco, there was someone
in the street over there.
He looked like Alfredo.
I've been here for hours.
I haven't seen anyone.
Nobody who looked like him, that's for sure.
Come on, I'll come home with you--
so you can relax.
But --
It's okay.
Let's go, come on.
It's kind of funny sitting here,
having all this freaky Art
Iooking down at you.
Please, it's not true.
Marco!
No!
Don't say that --
Marco!
No, leave him alone.
PIease.
No, he's got nothing to do with all this.
No, you better not touch him.
Marco!
Hello?
Hello!
It was him.
We'll tap your phone.
Right away, don't worry.
What did he say?
He said --
Anna, what did he tell you?
He said, he knows I've been with Marie.
Who is she?
No, I mean Ma-rie.
He is a boy,
a friend of mine from France.
He said, he knows we're in love,
that me make love, and he's very jealous.
He said, he's going to teach him a lesson.
Doesn't sound like him.
That is not his way of operating.
He is not interested in men.
He said, "I'm very jealous of him,
and I am going to teach him a lesson
once and for all."
Hello?
Yes, Marie Beyle please.
Okay then, tell him that Anna called,
and to call her back as soon as he comes in.
Okay, thank you.
Hello.
Hello, it's Marie here.
Are you alright?
Tell me, you're okay.
Of course, I'm okay.
Marco, you can hang up now.
I've missed you so much.
Me too, Anna.
I miss you, too.
All I do is think of you.
I know it's stupid but I can't stop.
I'm always thinking about you,
your mouth, your hands --
Me too, Anna.
I love you.
If anything happened to you, I think I'd die.
But, what are you saying?
Hello?
I'm here, Anna.
So, when will you finish your project?
In half an hour.
Okay.
Wait for me.
I'll meet you there.
Okay.
I want to make love to you.
Me too, bye.
Marco, I'm going to take a bath.
Okay.
It's closed.
Sorry, it's closed for today.
I'm looking for Marie Beyle.
Marie?
Never heard of her.
Him.
He's a man.
He works here as a research assistant.
Is that so?
And who might you be?
Now, get your fucking walkie-talkie out,
and find him before you lose your job.
Okay.
-Hi! -Oh, Anna!
Excuse me.
-Hi. -Hi.
We're finished, okay.
I just need a few more minutes.
Okay.
How many minutes?
Oh, just a few.
I have to put away
the models and canvases.
So, can you wait downstairs?
You can't stay here.
Okay, I'll wait for you downstairs.
Okay.
What is it, hmm?
Nothing.
It's just that --
it's just that there are some things
I didn't tell you.
Okay, later then.
Okay.
A bientot.
A tout a' l'heure.
Ah, ton Francais e' parfait.
Yeah.
But, promise me that you'll come down
as soon as you're finished.
Yes.
I'll come straight to you.
-Bye. -Bye.
Who is it?
Professor!
Is anybody in there?
Tell me, what to do.
Should I, lock the doors?
Yes, there's a body in there.
-Let me go! -Hey,
-Let me go! -Wait!
You can't go in there.
No!
Let me go!
No!
Let go of her!
Let her go!
No!
Marie!
Anna, Anna, Anna--
Listen
Don't touch him.
Anna.
Anna, it's me.
Who called him?
Anna ---
My son talked of you so much!
He used to call you,
"My marvelous little Anna"!
Come on, Marco.
Come on!
I didn't mean to scare you.
Everything scares me.
There are some things
I want to talk to you about.
Do you have time?
Yes.
He'll never give up, will he?
He's the kind of murderer who only stops
when he's caught -- or killed.
That's what a lot of people are hoping
will happen.
Anyway, the important thing is
for you to understand
that he is not infallible.
He can be caught;
after all, he's just a man.
You know that he's just a man?
He'll never let himself be caught.
How can you -- be so sure?
Because -- because he knows.
Because he knows what?
Everything.
Every fucking thing.
But, how could he Anna?
How could he know everything?
What's the hold up?
Bring it over here.
Come on, come on,
hurry up guys, let's go.
Judging by its state from over here,
I'd say, it's been in the water
for at least three weeks, maybe more.
Roberto!
Yes sir.
How was he supposed to be dressed?
According to the composite,
blue trousers, white T-shirt
and black socks.
Okay.
Mario!
I want to see you up there.
Officer!
What did I tell you?
It's a real maze of canals.
The body was probably knocked
through one conduit after another.
I told you -- speculation.
You say, you should have realized
he wouldn't let you have him.
Have who?
Marie.
Alfredo doesn't want me to have anybody else.
Which means you are his, and no one else's.
Why do you say that?
You said he knows everything.
Are you sure?
Yes.
At least, he knows everything about me.
Just a moment, think of what you just said.
'He knows everything about me.'
You really believe that?
Believe it?
I know it.
And, you believe
that he knows you better
than you know yourself.
Is that what you think?
What I think is that you should leave.
Now, please go!
Why you want me to leave, Anna?
Hi, this is Anna.
Leave me a message,
and I'll call you back as soon as I can.
Thank you.
Anna, it's Marco.
We found Alfredo.
We just hauled his body out of the canal.
It's been in the water for three weeks.
You know what that means?
There's another lunatic running around,
an imitator.
Call me as soon as you hear this.
That's no surprise, is it?
We knew, that Alfredo was dead,
and that it wasn't him who killed Marie.
What are you getting at?
It's the moment of truth, Anna.
The time has come to shake off the lies,
Iike you take a winter coat off
when summer comes.
Right Manetti.
A minimum of three weeks.
There's no doubt chief.
It's him.
Her police escort?
Why isn't there one at night?
I called her, but there's no answer.
Yes, I'm on my way there, now.
I'll stay tonight.
Christ! Where were you?
Here.
I called you over and over.
Maybe, I was in the bathroom.
Didn't you get my message?
This afternoon, they found
Alfredo Grossi's body in the canal.
So?
So, -- why don't you let me in?
Why should I?
Don't you realize he's dead?
It wasn't --
Alfredo.
No!
My God!
He forced his way in here.
He was saying crazy things.
He made no sense, and then --
and then he tried --
he wanted to rape me.
He tried to do the same thing Alfredo did.
It was him Marco.
He killed Marie.
He was the only one who knew everything,
because I told him.
Why didn't you call us?
But, don't you understand?
He killed Marie out of jealousy.
He didn't want me to love anybody else.
Why didn't you call me?
Anna, I don't believe it.
I mean, I just don't.
What?
What don't you believe?
That the doctor wanted to rape you --
and then -- he killed Marie.
What do you believe then?
Anna, I don't think
you understand right now, okay?
The body you found isn't Alfredo.
It isn't him.
It was definitely him, Anna.
No!
It isn't AIfredo.
What are you talking about?
Because, I know where he is.
Where is he?
He is inside of me.
I've become him.
He's like an infection,
a cancer that grows bigger everyday.
Everyday his presence inside me gets stronger.
Why didn't you realize?
Why didn't you help me?
Why didn't you stop me before I killed --
before I killed Marie?
He forced his way into me --
and now, I can't get rid of him.
Anna.
Anna, listen.
You have to help me get rid of him --
because he won't stop.
He controls me.
He orders me to do horrible things --
Iike killing Marie -- and my doctor.
Okay, relax.
Calm down.
Listen, I have to take you somewhere.
No.
No, don't worry.
A place where they'll help you.
Where's your gun?
My gun?
Yes.
Where's it, Anna?
Why?
Do you need it?
It will help us.
Okay.
Then come with me.
He loves paintings.
Maybe, that's why he likes
to be inside of me-- because I love art too.
It's in here.
I'll get it.
Do you recognize me now?
It's me, Alfredo.
Spread out, and check the whole street.
Hurry up!
I told you I wasn't dead,
but -- but you didn't believe me.
I have to remember
to fix everything before I leave.
Everything must be in order.
Ah, that's very important.
I have to go to Dad's on Wednesday.
Yes.
Yes, I mustn't forget that;
it's really important.
And then, I have to pick up the clothes
at the dry cleaner's.
That's very, very -- that's very important.
Yes.
No, that's the first thing and the second --
the second -- the second,
the clothes at the dry cleaner's.
Yes.
That's important.
No.
Where do I go from here?
Where?
Get her, but don't shoot.
Don't you dare shoot.
It's Anna.
Don't you dare!
Okay.
Okay, I think I did everything.
Yes, At least, I did what I had to.
Now, maybe, if I stop here to rest a little,
maybe they won't bother me,
and they won't see me.
No.
No, No, No, better turn around.
I'm so tired.
I need to be alone.
Some people--
Hey, stop!
Wait!
- What are you doing? - What're you doing with that gun?
You want to shoot me, huh?
- Where're you going? - You want to shoot me?
Where're you going, Anna?
Stop it!
- Calm down! -Stop it!
You want to kill me?
Calm down!
I'm telling you to calm down.
No!
Let me go!
-Leave me alone! -Hold her.
Leave me alone!
Don't be afraid.
We're not against you.
What's her problem?
Just trust me.
Trust me, please.
Yes, Anna.
Yes.
Okay, that's it.
It's okay.
That's it.
There we go.
It's OK
It's alright.